The Vocal Artistry of

Juliet Ewing

About Juliet-A Voice That Captivates

Juliet Ewing is rapidly becoming known as an exciting, masterful interpreter of the Great American Songbook. Equally at home in jazz clubs and on concert stages, she is following in the footsteps of Ella Fitzgerald and Peggy Lee in that she can swing when she so desires, yet always stays connected to the rich and musically diverse songbook singing tradition that these great ladies of song exemplified. Fun yet elegant, Juliet enjoys singing the full spectrum of popular song, from the musical chestnuts of George Gershwin and Cole Porter to the contemporary stylings of Sting, Laufey, and Sade. Perhaps the word that best exemplifies Juliet’s artistry is “timeless.”

Juliet  regularly performs as a soloist or with her trio “The Juliet Set” in and around NYC in jazz clubs and private events.  Her performances are marked by a golden voice that resonates with warmth and clarity, captivating audiences with every note. Praised for her impeccable phrasing and dramatic skill, Juliet brings a storyteller’s touch to each song, breathing new life into jazz standards and timeless classics. Whether delivering a playful rendition of “One Note Samba” or an emotionally charged “The Man I Love,” she connects deeply with her listeners, leaving an indelible impression. Juliet’s artistry is a testament to her extensive experience on Broadway stages and European tours, making her a distinctive voice as a Songbook interpreter..

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A NEW ALBUM

Simply ‘S Wonderful

The Magic of Gershwin

Lexicon Classics Label 

Release Date Sept 12, 2025

There is always more room for the magic of  Gershwin in our musical lives. I hope you enjoyed it as much as I do and it brings you joy.
As  Ira Gershwin so expertly penned “Love is Here to Stay “ and to luxuriate in this perfect music  is “Simply ‘S Wonderful”
-Juliet Ewing

Simply 'S Wonderful

Upcoming Shows

Recent Performance Highlights

Look back at some exciting past performances in and around NYC.
Winnie's Jazz Club (The Refinery Hotel)
I perform at Winnie's (in the Refinery Hotel) with some frequency. It's always fun and lively. An iconic space made for iconic tunes. I can just image the smile on the face of the original Winnie (Winifred T. McDonald) from back in the early 1900's. If only she could see us now!
Jazz on Main
Mt. Kisco, New York never looked so good. This marvelous venue downtown right near the train inspired us to fill the place with standards. Rogers and Hart, Irving Berlin and more with The Juliet Set.
A Private Event
Thrilled to perform in a lavish penthouse in summer 2024. Fancy digs call for fancy melodies... which our combo delivered and how. Gershwin. Porter... and some reimagined tunes like Tainted Love did the trick.
Prohibition in the Afternoon
Relaxed. Delightful. One of the more fun places for brunch that you can find it the city. Pianist John Prestianni and I breeze through a smattering of pop tunes (jazzified!) and goodies from the American Songbook.
Don't Tell Mama
Our third trip to Don't Tell Mama in 2024... working on, refining and then just celebrating George and Ira Gershwin. Patrick Boyd joined for a few tunes. Sold out sold out sold out... oh what fun!!

Evenings that Sparkle

The Juliet Set | Reinterpreting the jazz standard.

MEET THE JULIET SET

Some of the extremely talented musicians who make up our band.

“Her approach to “Embraceable You”; it was so simple, so genuine. She purred the lyric “come to mama, come to mama, do” in a way that was tender and erotic. Her celebratory take on “Oh, Lady, Be Good” was refashioned as a love song about her relationship with New York: “Oh please have some pity, I’m all alone in this big city.” She brought an honest and surprising interpretation to the verse of “But Not for Me” (she clearly loved lyrics) with a lovely bit of snarkiness before the pathos of the chorus. Another highlight was a fresh take on “How Long Has This Been Going On?”; It was no longer about an innocent kiss; it was the revenge tale of a betrayed woman, and included a new patter section that recalled the work of Peggy Lee (with a bit of Ann-Margret tossed in)

  • Bart Greenberg | Cabaret Scenes Magazine

Reviews & Comments

From our gallery

So many opportunities to explore the riches of great music. From bossa nova to Gershwin standards to reimagined 80’s pop tunes, the music fun goes on and on.